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Pinocchio (Italian Edition)

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Pinocchio (Italian Edition)

"Pinocchio - Storia di un burattino", il romanzo scritto da Collodi, con le illustrazioni di Enrico Mazzanti, è un classico della letteratura per ragazzi. Il romanzo ha come protagonista Pinocchio, un burattino umanizzato nella tendenza a nascondersi dietro facili menzogne e a cui cresce il naso in rapporto ad ogni bugia che dice. Sulla sua figura sono stati realizzati film, cartoon, musical e allestimenti teatrali.
Nelle intenzioni di Carlo Collodi pare non vi fosse quella di creare un racconto per l'infanzia: nella prima versione, infatti, il burattino moriva impiccato a causa dei suoi innumerevoli errori. Solo nelle versioni successive la storia venne prolungata anche dopo la sequenza dell'impiccagione, giungendo al classico finale che oggi si conosce, con il burattino che assume le fattezze di un ragazzo in carne ed ossa.
Il libro ha venduto decine di milioni di copie, senza contare le decine di film, audiolibri, e migliaia di illustrazioni.
Nel libro le 61 illustrazioni di Enrico Mazzanti dalla prima edizione originale.

*** Edizione completa, revisionata e corretta ***

"Pinocchio" is a story about an animated puppet, talking crickets, boys who turn into mules and other fairy tale devices. Pinocchio's world is not a traditional fairy-tale world, instead containing the hard realities of the need for food, shelter, and the basic measures of daily life. The setting of the story is in fact the very real Tuscan area of Italy. It was a unique literary melding of genres for its time.
Collodi originally had not intended the novel as children's literature; the ending was unhappy and allegorically dealt with serious themes. In the original, serialized version, Pinocchio dies a gruesome death—hanged for his innumerable faults, at the end of Chapter 15. At the request of his editor, Collodi added chapters 16–36, in which the Fairy with Turquoise Hair (or "Blue Fairy", as the Disney version names her) rescues Pinocchio and eventually transforms him into a real boy, when he acquires a deeper understanding of himself, making the story suitable for children. In the second half of the book, the maternal figure of the Blue Fairy is the dominant character, versus the paternal figure of Geppetto, in the first part.
Pinocchio, in addition to being a children's tale, is a novel of education, with values expressed through allegory. There are many ways of viewing these allegories. One is that they mirror the values of the middle class of the nineteenth century, in particular, that of Italy, as it became a nation state. For example, not following the schemes of the fox and cat (i.e. the thieving noble class), but, instead, honestly working for money, and obtaining an education, so that one is not treated like an ass (the mule working class). Unsurprisingly, although the book was very popular, in many upper-class families of the time it initially was not a book regarded suitable for "well-educated" children.
In the book, the 61 illustrations by Enrico Mazzanti from the original first edition.

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